You can swap them around, changing the order of your scenes, add colour coding to represent anything you want (in my case, character POVs) and group individual cards into stacks. I follow the tried and tested method of using a card per scene, building up the plot scene by scene. Index Card provides you with a virtual corkboard, ready for as many index cards as you’d like. While spare time is still in short supply, I’ve been able to dip in and out of the plot using a handy little iPad app. I now have a beginning and an ending – all I need is to work out how to link the two together. Thankfully, after an impromptu chat with George Mann a couple of weeks ago, I’ve been able to iron out a few of its problems and push it on a tad. It’s been through a good few working titles but is currently known as The Spirit of Vengeance. Thanks to a combination of purple dragons, space rebels, 1960’s espionage and time-machines of various shapes and sizes I’ve had very little time to work on the plot of my fantasy novel. The Index Card project Mark and I worked from while plotting the end of Blake's 7: The Forgotten The Index Card project Mark and I worked from while plotting the end of Blake's 7: The Forgotten
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